Things had not start in this way, at least chronologically. And the white queen on the oceanfront had played her role. It was not the third contact, but the contact of the third type. Its actual structure as per sections of the sphere was the beginning of the activation.
Because even if there were infrastructures,the superstructure could not occur without structure. And this was simple, as a reference to Archimedes and his calculations. The development of its sections was not just an architectural structure but a combination of deductive thinking and the link theory.
When one admired the structure of the opera they couldn’t imagine that he was following a mental schema hidden beyond the stave of the invisible music score yet its mathematics was already visible to all without exception.
Likewise, the music of silence began the codification through the implementation of spacetime.
It was definitely difficult for someone to have a global perspective, but it was also the only way of understanding the concept. The white Queen was placed at the edge of the chessboard in order to indicate that it was in its original position.
This piece had created the first link with the other two, as it was born between the horse and the tower. The first link was completed with his look, when he saw the bronze plan and touched it with his hand to activate the theory of relations.
Then, the superstring was born with this confluence of multiple worlds. It was as if the first return occured before the activation. The third contact had changed the data in spacetime as a esemblance of the Gödels universe,as he was thereon seeing the closed timelike curves. So likewise the boomerang appeared for the first time, which had flown before the after.