The singing spring is not only
a system of self-defence.
It’s a way and it has its philosophy.
Its goal is the capturing
and the striking to the opponent’s centerline.
The singing spring uses
simultaneous attack and defense
but also tactile sensitivity.
It’s a part of polycyclicity
and its multiple lineage is
the result of a bifurcation.
And even if at the beginning
it was a secret
for the protection
it became a defense
for the innocents.
Its impact was relevant for Mankind
and the art of the initial small group

spreads to the rest of the world.
It’s founded on the link
between the Master
and his Disciples.
That’s why it’s robust
because its base is the legacy
and not the genetics.